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American Music Review, Vol. XLIV, No. 2, Spring 2015

Inside this Issue

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Institute News

Black and White, then “Red” All Over: Chicago’s American Negro Music Festival

By Mark Burford, Reed College

The Performer as Historian: Black Messiah, To Pimp a Butterfly, and the Matter of Albums

By Will Fulton, LaGuardia Community College and the CUNY Graduate Center

Shape-Note Hymns as Living History: Music and Community in Alice Parker’s Singers Glen

By Joanna Smolko, University of Georgia

Rhiannon Giddens, American Angel: Tomorrow is My Turn

By Susan Davis, Brooklyn College, CUNY

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