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American Music Review, Vol. XLV, No. 2, Spring 2016

Inside this Issue

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Institute News

By Jeffrey Taylor, Brooklyn College

Max Morath, Complete Ragtime Works for Piano

By Edward A. Berlin

Space Is The Place: Composition In New York City’s Improvised Music Scene

By Daniel Blake

The Challenge of Comparing Improvisation across Domains

By Andrew Goldman & Marc Hannaford, Columbia University

Obsession and Paralysis in Tobias Picker’s Thérèse Raquin

By Stephanie Jensen-Moulton, Brooklyn College

Celebrating Minimalism and K. Robert Schwarz

By Jennifer Oates, Queens College and Jeffrey Taylor, Brooklyn College

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